Catalogue Essay, Art Exhibition, University of Maine
For Canadian artists, their first solo exhibition in the U.S. is a big deal. When New Brunswick ceramics artist Darren Emenau landed his first one-made show stateside, he knew wanted to perpetuate it in a catalogue. Through observation of the work, conversations with the artist and his curator, and research on contemporary movements in ceramics, Kate’s essay captures the essence of this important show.
